![]() ![]() The performers, both highly experienced with intabulations of sixteenth-century music, decided to recreate an ‘imaginary’ book of vihuela duets, following the taste and practice of the ancient masters, who through a notation system of ‘numbers’ used to arrange works by the composers they listened to and played. While there is a significant number of publications for two lutes from the sixteenth century, only one of the seven collections for vihuela de mano includes duets, and it is precisely that collection that was the main source of inspiration for this project. For this third instalment he is joined by one of the world’s most respected and innovative solo lutenists, Jacob Heringman, for a vihuela duo project which is the result of years of research and performing. ![]() 1 Da che si part’il sol 3’14Ģ Scarpello si vedrà 3’45ģ Duca vi voglio dir 2’52Ĥ Basciami con ssa bocca 1’42ĥ Saltarello detto Sona Baloni 1’38Ĩ Chiara più che ’l chiar sol 3’03ĩ Passo e mezzo Antico Primo* 2’41ġ2 Sta vecchia canaruta 2’55ġ3 L’altro giorno mi disse 3’12ġ4 Passo e mezzo detto Il Gorzanis* 2’44Ģ2 Il bel vis’e i begl’occhi 2’10Ī leading vihuela specialist, the Argentinian virtuoso Ariel Abramovich has already devoted two albums to the favourite instrument of the Iberian Renaissance, the first on Arcana (Esteban Daça, El Parnasso, A316, 2002) and the second on Carpe Diem (Diego Pisador, Si me llaman, 2009).
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